Discursive activity of the thought

Some years ago. Starting from a series of observations about the common features of some artists a new idea came out: to paint the thing or the things respecting the reality, crossing over it to reach the real dimension inside it. In other words the discursive acivity of the thought that brings the "sign" to run in the same line of the "words". he language that rises from the context, more or less consious, using as a support every form of expression and artistic technique. A form free from every command "Academic" free from everything, except for the Impressionism. This idea was born at the end of 2005 by an artist from Castellammare del Golfo, an eclectic woman called Giusy Grimaldi, who is inspired by a philosophic theory of Aristotele. An art critic, Nic Giaramita, after studies comparisons and analysis, takes the topic during a conference on the 20/01/2006 at the Belle Arti Kandinskyi in Trapani, with a group of artists of this artistic moviment.What's this new expression of art that goes back in time and can't be considered Post-modern or avanguardist? The Impressionism Dianoetico means to dig up inside the reality to find out a "new reality", hidden in the same reality; this elaboration isn't a metaphor, or meaphysical but sublimation of the reality, putting in evidence the evolution of a different reality, already pre-existing. The Dianoetico thought dianoia is referreal to the survey and the phylosophical doctrina concerning the problem of "knowledge" in other words the verification of "Form" and "Limits" of the human cognitive activity. Aristotele studied this topics, in paricular the discursive thought tha separates the unity of the subject and insight of the mind and then the five virtues dianoetiche of the aristotelic moral: art, science, wisdom, learning, intellect. As a conseguence of it the manifest of Impressionism dianoetico is based on the ranslitteration or better the illustration of a reality different from the original, interpreted to reach the real reality on the basis of knowledge of the object/subject through the judgment, the memory, the perception.